2.23.2010

Rainy Afternoon Read

Okay, so it may not be rainy everywhere, but the rain has returned to Portland (shocking) and it's a perfect excuse to curl up on the couch with a book, or perhaps your laptop. So here you go: Justin Taylor's Tennessee (a la' Fifty-Two Stories) from his collection Everything Here Is the Best Thing Ever. Which I'm going to go buy as soon as I get off the couch. (Fifty-Two Stories also links to more Taylor at The Outlet, if you're jonesing for more.)

2.22.2010

New Love: Best American Non-required Reading 2009

If you haven't picked a copy up yet, do it now. Dave Eggers (and his coalition of student helpers) has put together a smashingly quirky collection of essays, comics, short fiction, nonfiction, screenplays, etc. The letters to President Obama from school children are both hilarious and surprisingly philosophical, like the boy who writes:

Dear President Obama,

I want to tell you hi. Do you work with Santa Claus? Can I meet you in your house? Can I say bye to you after I meet you? And then can I meet you again? And then again after that?

Sergio Magana, age 5
San Francisco

I want to turn that into a song.

My next favorite so far is "Everything I Know About My Family on My Mother's Side" by Nathan Englander--beautifully written and told in short numbered snippets--which, admittedly, confused me at first, but wowed me by the end. On top of all this, the intro is written (and illustrated) by Marjane Satrapi. Oh, it all gives me tingles.

2.09.2010

Slush Town


An article on HTMLGIANT yesterday spoke to something that's been bothering me for a while. As someone who works with the slush pile and attends editorial meetings at a well known lit mag, it's frustrating to see the ratio of slush to solicited/lit agent pieces that make it into the magazine. Sadly, slush has a terribly slim chance at making it even beyond the first or second round of readers, let alone into the magazine--at least in my experience.

From the trenches of Slush Town, the outlook is bleak, and yea, it's discouraged me from submitting to many of the better known mags. It takes the stars aligning, some serious karma (and/or determined interns) and damn good writing to get a piece from the slush into the top editors' hands. But when one of those shows up in the magazine, it feels friggin' good. I suppose the point of a slush pile at this kind of high rep magazine is to give the little guys a chance to appear next to the big names... even if it's only once in a while.